ROCKABILLY ROUNDUP PART 1: BLUE ANGEL

 ROCKABILLY ROUNDUP: BLUE ANGEL

 

BRIEF HISTORY LESSON:

There have been numerous styles and subcultures to come out of Japan. Some have reached the mainstream West, like Gyaru or Visual Kei. And others have stayed in relative obscurity.

Rockabilly in the United States dates back to the 1950s, when (mostly) Caucasian singers and artists from the South performed rock n' roll music (literally, hillbilly rock n' roll. Rockabilly!) Mixing already existing African-American music styles like rock n' roll with country music styles, it was bound to become a hit with listeners. Gradually transcending beyond the racial boundaries set by society at this time.

But the Far East combines things and takes culture on its own terms. The term rock n' roll was first recognized in Japan, with Chiemi Eri's 1955 cover of 'Rock Around The Clock.' Rockabilly was properly introduced to the Japanese people in June of 1956 with the group 'Kazuya Kosaka & The Wagon Masters.' With a cover of Presley's 'Heartbreak Hotel' being performed. Though during that time, they were still considered to be in the genre of rock n' roll.

Kazuya Kosaka

Allegedly, the term "rockabilly" in Japan was coined by one 'Takatada Ihara.' He was the director of Nippon Television and devised a strategy to differentiate upcoming stars like Mickey Curtis, Hirao Masaaki, and Yamashita Keijiro from existing rock n' roll singers like the Wagon Masters. This was used to promote the Nichigeki Western Carnival. Journalists at this time labeled these three as the 'Three Rockabilly Guys.' The event was planned by Misa Watanabe, who sensed that a second rock and roll boom was coming from a new generation of artists. This was a substantial event, as this was the first documented performance where rockabilly artists played in a large venue. It's reported that concertgoers loudly shouted. They shouted so loudly that it blocked out the music actually being performed. People in attendance threw a various display of things onto the stage, including undergarments. The Nichigeki Western Carnival was, needless to say, a massive success, causing rockabilly to come into Japan's mainstream.

Mickey Curtis

Before this event, rockabilly music was heard in the years when Japan's occupation was still ongoing, from the servicemen… it spread to rowdy postwar urban youth. Post-war Japan's economy grew exponentially in the years after the Second World War. Artists that attempted to appear at US service bases diminished, as gigs were difficult to attain. and eventually the occupation ended in 1952. With nowhere to go to perform their music, brave musicians started to find other venues to produce and sing. Jazz coffeehouses were nightclubs that could seat crowds of patrons, and the youth flocked to the 'Jazz Kissa.'

The Japanese people of the time had little understanding of ACTUAL rockabilly culture, as stated beforehand. But with the little knowledge they had of the music, people, fashion, and dancing, they had made it their own. Years later, as times moved on, the music began to die off, and sales started to dwindle. Leaving rockabilly in the past.

SUMMARIZED SOURCES

https://allabout.co.jp/gm/gc/422444/

https://blog.iias.asia/pop-pacific/bedlam-nichigeki-theater-japanese-rokabiri-rockabilly-craze-1958 

 

NOW, AFTER THE UNNECESSARILY LONG HISTORY LESSON:

A rockabilly resurgence was bound to happen, at some point! Groups in Japan like the COOLS ROCKABILLY CLUB and CAROL (I'll write about them later) rocked stages and LPs! The subculture was reformed, and places like Harajuku Hokoten (pedestrian paradises) flourished with twisting rockabilly souls.

Blue Angel was formed in 1985 by staff that worked at the Pink Dragon rockabilly store in Shibuya (that sells brands like Cream Soda.) The main vocalist of the group is Akiko Urae. They had changed members numerous times after debuting again with a single 'Virgin Love.'

 

Today, we're focusing on the titular self-titled album 'Blue Angel.'

 

The first track titled 'Go Cat Go' isn't anything to write home about (The title is obviously a reference to Elvis, and his blue suede shoes.. but that's besides the point!) Although, one thing is evident throughout listening. Urae's voice is unique, flavorful, and fun to sing along and dance to. The twang of the double bass fills your ears as you enter the sound that makes up this four-piece band, with this introductory track.

 

 By the second track 'Rock'a Billy Night' you might already be bobbing up and down to these catchy melodies! Urae and her crew of rockabilly enthusiasts don't disappoint in that department whatsoever! 

I've sung my praises enough, and you might as-well listen to the album yourself! My only complaint..? I wish the songs were longer.

The standout track is the album's finale 'Kiss Kiss Fall In Love.' The chorus is unforgettable, and the drums have a certain kick to them! Don't forget that wondrous bass!

 

キス！キス！！ Fall in Love!!　君の 

 

Thank you for reading. If anything was inaccurate, or wrong.. please contact me. -J.M